Believe it or not, the main reason why some students such slow progress in
their instrument is not that they do not practice enough, it is that they do not
Practice correct. Many students valuable time trying to get their music
Sounds good, but often feel that their progress to the time they have provided
into it.
Bad practice does not only mean that you do not solve your problems, it is often
means that youStrengthening the error, and actually makes it more likely that you
these mistakes again. In this context, one could actually made worse by poor
"Practice Session" than if you keep the device closed, and in her case.
The main culprit with bad practice is the strengthening of errors. It is in this way:
the students through the music plays until a mistake is made. He stops because he
hears something wrong. He is betting that noteand goes on to that spot.
And that's the mistake!
This is what's really happening: If a mistake is made, the error is really happening
on the note or two days before the failure. Our brain is always thinking ahead, usually
three or four notes. So, if you make a mistake, what your brain told you
know about to note that the actual error. If you make a mistake, you
need to return several notes, things slow down and program in yourFinger
how to get to the next note.
If you fix bugs in this manner, it is sometimes surprising how far you
have to go to solve it. But if all what you do, the update note that is played is one
wrong and then move on, you are only reinforcing the error, and in fact
worse. Students with poor practice technique actually spend more
Time errors caused by poor engineering practice to reverse, as she does
different kind ofMistake.
So here is a summary up, what you should do, and some other references
that you can use your time more efficiently:
1 play - not only "through" your music. If you make a mistake, you go a few
Notes and play through the problems on the ground at half the speed. Do this a few times
deliberately and slowly placing the fingers, until the problem is worked out. Then
Speed-up slow.
2 - Do something silent practice. HaveHandles while singing through the music,
especially if you play a wind instrument, which can be constant fatigue.
3 - Use a metronome. A metronome is not an unmusical performance.
The metronome keeps the pace steady, and your use of the discipline is very
Practice time.
4 - Play your instrument every day. They begin to lose control of the fine muscles
It develops this day. Once in a while, youneed a break, but try
to practice six out of seven days.
There is another aspect of musical performance, the musician holds back, and this is
and an inability to listen objectively. If you practice technique seems fine, but
They seem to not only improve themselves, it is usually because you are not really aware of
sound like you really care. The best way to hear yourself as you will really sound
Take yourself Get a digital or tape recorders, seta good mic and play.
The first time you hear yourself play on the tape is generally a negative experience, but
Do not be discouraged! Try to listen critically but constructively. Instead
Getting down on yourself, you think of the possibilities that you want to improve, and then again
to practice. Diligence is the key. Every day practice and record and listen
at least once a week. You will benefit from them almost immediately.
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